CfP: Coming to the Surface or Going Underground? Art Practices, Actors, and Lifestyles in the Soviet Union of the 1950s-1970s
The Research Centre for East European Studies (FSO), Bremen, November 13-14, 2025
Kolloquiumsvortrag
18:15 Uhr, IW3 0330 / Zoom
Sheila Fitzpatrick (Melbourne)
Lost Souls. Soviet Displaced Persons and the Birth of the Cold War
Summerschool European Network Remembrance and Solidarity
25.-26. August 2025 (online), 01.-10. September 2025
Deadline: 06.05.2025
FSO Bremen und Paris; Prag und Paris
Wissenswertes
The Transcript of Joseph Brodsky’s Trial
On Frida Vigdorova’s 100th Anniversary and 50 Years since Brodsky’s Release from Internal Exile
When the poet Joseph Brodsky was put on trial for “social parasitism” in 1964 in Leningrad, the campaign in his defence received worldwide resonance thanks to the transcript of the writer, journalist and human rights activist Frida Vigdorova (born March 16, 1915). Her handwritten notebook is our archival document of the month. Evidently, Frida Vigdorova gave it to Lidia Chukovskaya, who later presented the notebook to Raisa Orlova with the inscription on the envelop: "An original piece of the 'Transcript' made at the 2nd court hearing". The notebook is now held at Forschungsstelle Osteuropa as part of Lev Kopelev's and Raisa Orlova's archive.

Foto: Fabian Winkler Fotografie. Quelle: Archiv der Forschungsstelle Osteuropa, Bremen, FSO 01-003 Kopelev
The year 2015 marks several vital dates in Soviet cultural history, including the 100th anniversary of Frida Vigdorova, as well as fifty years since her death. It also celebrates the seventy-fifth anniversary of Joseph Brodsky and fifty years since his release from exile in the northern village Norenskaya, where he spent a year and a half.
The transcript of Brodsky’s trial circulated both in Russia and abroad, resulting in the publication of his first book of poetry in 1965 (Inter-Language Literary Associates, Washington, DC). The trial had two court hearings: on February 18 and March 13, 1964. With an official permission to attend both, even when she was ordered to stop writing, Vigdorova managed to record in her notebook the dialogues between the judge and the defendant. After each hearing, she would run to a nearby café to restore parts of the courtroom atmosphere she was not able to write down on the spot. Her record is, thus, not a “stenogram,” but an evidence consisting of words recorded immediately and those restored from memory shortly thereafter. Before releasing it to samizdat, several other people present at Brodsky’s trial read through the transcript and corrected what they remembered otherwise.

Foto: Fabian Winkler Fotografie. Quelle: Archiv der Forschungsstelle Osteuropa, Bremen, FSO 01-003 Kopelev
Before Brodsky’s trial, his name had never appeared abroad in the Russian émigré press. But when the first selection of his five poems came out in the newspaper Russkaia Mysl’ on May 5, 1964, they were accompanied by a “Note on the Affair of Joseph Brodsky,” which was based on Vigdorova’s record. However, it was not until January, 1965, that the full version of Vigdorova’s transcript appeared in the original language (Vozdushnye puti, No. 4, published by Roman Grynberg).
Frida Vigdorova died of cancer in Moscow on August 7, 1965, only a month and a half before Brodsky was able to come back to Leningrad from exile. Her transcript of Brodsky’s trial marked the beginning of a new stage of the poet’s literary career and became one of the most important documents of his age.
Further Reading:
Alexandra Raskina: Frida Vigdorova’s Transcript of Joseph Brodsky’s Trial: Myths and Reality, Journal of Modern Russian History and Historiography 7 (2014), S. 144-180.
Lev Loseff: Joseph Brodsky: a Literary Life, New Haven 2011.
Яков Клоц: Как издавали первую книгу Бродского [How Brodsky’s First Book Was Published]. May 24, 2015: http://www.colta.ru/articles/literature/7415
Yasha Klots
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